PGDMK6 Drum Microphone Kit
The PGDMK6 is an entry level, complete 6-piece drum microphone set. It contains specialised microphones for Bass drum (1x PG52), Overheads (2x PG81), Snare, Toms and Percussion (3x PG56). Mounting plates, cables and a rugged carry case are included.
Where to buy
RRP: £ 452.81
- Description
- Features
- Specs
- Downloads
Description:
Who is this best suited to?
This would be an ideal choice for a budget concious amateur/semi-pro drummer looking to mic up their 6-piece drum kit. The microphones would be suitable for use on small stages, in the rehearsal room and in the home recording studio.
What is included in the PGDMK6 drum kit?
- 1 x PG52 Dynamic MicrophoneDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.
Read moreGo to the glossary for Bass Drum - 3 x PG56 Dynamic MicrophoneDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary for Snare, Toms and Percussion
- 2 x PG81 Condenser MicrophoneCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary for overhead and cymbal miking
- 3 x A50D Microphone clips (fits to most standard drum rims)
- 6 x XLR-XLR cables 4.5m
- Comes in a rugged carrying case
Other complete solutions for miking up your drum kit
- PGDMK4: 4-piece drum microphone kit with PG microphones
- DMK57-52: Professional 4-piece drum microphone set with BETA and SM microphones
Features:
- 1 x PG52 Dynamic MicrophoneDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary for Bass Drum
- 3 x PG56 Dynamic MicrophoneDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary for Snare, Toms and Percussion
- 2 x PG81 Condenser MicrophoneCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary for overhead and cymbal miking
- 3 x A50D Microphone clips (fits to most standard drum rims)
- 6 x XLR-XLR cables 4.5m
- Comes in a rugged carrying case
Specs:
PG52
- Transducer TypeA transducer converts sound into an electrical signal. The two most common types are dynamic and condenser.
Read moreGo to the glossary : DynamicDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary
- Polar PatternPolar pattern describes how well the microphone hears sound from different directions.Read moreGo to the glossary: CardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary
-
Frequency ResponseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary:
30 Hz
- 13 kHz
-
SensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary (1 kHz):
-55 dBV/Pa / 1,8 mV/Pa
- Weight: 470 g
PG56
- Transducer TypeA transducer converts sound into an electrical signal. The two most common types are dynamic and condenser.
Read moreGo to the glossary : DynamicDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary
- Polar PatternPolar pattern describes how well the microphone hears sound from different directions.Read moreGo to the glossary: CardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary
-
Frequency ResponseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary:
50 Hz
- 15 kHz
-
SensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary (1 kHz):
-56 dBV/Pa / 1,6 mV/Pa
- Weight: 323 g
PG81
- Transducer TypeA transducer converts sound into an electrical signal. The two most common types are dynamic and condenser.
Read moreGo to the glossary : CondenserCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary
- Polar PatternPolar pattern describes how well the microphone hears sound from different directions.Read moreGo to the glossary: CardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary
-
Frequency ResponseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary:
40 Hz
- 18 kHz
-
SensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary (1 kHz):
-48 dBV/Pa / 4,0 mV/Pa
- Equivalent Selfnoise:
20 dB(A)
- Sound Pressure:
131 dB
- Weight: 250 g
