PSM 200 In Ear Personal Monitoring System

 

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The entry to professional in ear personal monitoring from Shure. This package contains SE-215-CL Sound Isolating earphones, a P2R receiver and a P2T transmixer.

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The entry to professional in ear personal monitoring from Shure containing all the components you need.

RRP: £ 739.00
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  • Sound Isolating Design, shields over 90% of the ambient noise
  • Driver: Single DynamicDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary MicroDriver
  • Frequency responseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary: 22 Hz - 17.5 kHz
  • Includes fit kits (a range of accessories)

 

  • Can operate as a wired or wireless bodypack, or both simulaneously
  • FrequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary locator
  • Built-in headphone limiter
  • Integrated cable management
  • High-impact plastic chassis
  • 1/4" Line input jack with high/low gain switch
  • Input level control
  • FrequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary select
  • Built-in audio limiter
  • Front mounted antenna
  • Two mic/line input channels for mix control
  • 1/2 Rack space
  • LED Indicators
  • Tri-color input level
  • Description
  • Features
  • Specs
  • Downloads
  • Frequency Versions

Description:

Why is in ear monitoring more effective than using a wedge speaker on stage?

Using a Shure monitoring system allows you to hear the music via your earphones at the exact time it is played. There can be a short delay in music coming out of the wedge, which can cause performers to play out of time. Wedge monitors will sound fine when standing in one position, but if you move to the left or right, that sound is likely to change. With in ear personal monitoring, the sound will be constant and comes with you, wherever you go. Using wedge monitors long term can also be damaging to your ears. Using Shure sound isolating earphones cuts out the sound around you leaving you to focus on playing in time.

How do I set up my PSM 200 in ear system?

Simply connect two line-level or mic–level inputs directly into the transmixer. Set the frequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary on the transmixer using a single button, and the same again on the bodypack receiver. Connect your earphones to the P2R, set up your desired mix using the personal mix controls on the front of the transmixer and you are now all ready to go.
 

Features:

  • Built-in audio limiter
  • Front mounted antenna
  • Two mic/line input channels for mix control
  • Built in headphone limiter
  • Volume control on bodypack receiver
  • 1/2 Rack space

Specs:

  • RF Output Power: 10 - 30 mW (countryspecific)
  • Operating Distance: Up to 100m
  • Harmonic distortion: 1.5 % typical
  • Signal-to-noise-ratio: 80 dB (A) typical
  • Listening mode: Mono
  • Compatible Systems per band (up to): 4
  • Transmitter Inputs: 2x XLR/6,3 mm combo, mic/line level
  • Transmitter Outputs: 2x XLR split outputs
  • Wired Bodypack Option: Yes
  • Personal Mix Control: On transmitter
  • Remoteable Transmitter: No
  • Battery Life: Wired: 6 h; Wireless: 4 h
  • Frequency ResponseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary: 30 Hz - 12 kHz

  • Further technical specifications:

    PSM®200 System

    • RF Carrier FrequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary Range: 518­-865 MHz (country dependent)
    • Modulation: FM +/- 35 kHz Deviation (Nominal)
    • Operating Temperature: -7 degrees C to +49 degrees C (+20 degrees F to +120 degrees F) 

    EP2T TransMixer

    • Modulation Limiter: Internal peak limiter (>10:1 hard knee compression)
    • Antenna: 1/4 Wavelength, semi-rigid, PCB Mount
    • Connector Type: XLR/1/4-inch combo
    • Nominal Input Level: - 25 dBu @ 1/2 volume (12 o'clock)
    • Maximum Input Level: - 5 dBu @ 1/2 volume (12 o'clock)
    • Current: 170 mA maximum
    • Dimensions: 220 mm x 140 mm x 40 mm (8.6 in. x 5.6 in. x 1.7 in.)
    • Net Weight: 370 g (13 oz.) 

    P2R Receiver

    • RF SensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary: 109 dBm typical
    • Squelch Threshold: 102 dBm typical
    • Antenna: Attached Whip
    • Audio Input Connector: Connector Type: 1/4-inch Mono
    • ImpedanceThis describes how resistant an electrical circuit is to the flow of electricity passing through it.Read moreGo to the glossary: 1 megohm
    • Maximum Input Level: LO = +0 dBu; HI = 10 dBu
    • Frequency ResponseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary: 30 Hz to 20 kHz (+/ 3 dB); earphone dependent
    • Power Requirements: 9 V alkaline battery, Duracell® type MN1604 recommended
    • Audio Output Connector: 1/8 inch (3.5 mm)
    • Minimum Load ImpedanceThis describes how resistant an electrical circuit is to the flow of electricity passing through it.Read moreGo to the glossary: 8 ohms
    • Net Weight: 100 g (3.52 oz.), less battery
    • Overall Dimensions: 122 mm x 73 mm x 32 mm (4.809 in. x 2.875 in. x 1.251 in.)

     SE215 Earphones

    • FrequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary Range: 22Hz – 17.5kHz
    • SensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary: 107 dB SPL/mW (@ 1kHz)
    • ImpedanceThis describes how resistant an electrical circuit is to the flow of electricity passing through it.Read moreGo to the glossary: 20 Ohms (@ 1kHz)
    • Input Connector: 3.5mm (1/8”)
    • Colour: Clear 
    • Cable Length: 162 cm (64”)

Downloads:

User Guides

Frequency Versions:

Frequency range and power output of the transmitter

Band    

Range            

Power Output

H2

518-554 MHz

30 mW

K9E*

606-638 MHz

30 mW

S5* 

842-865 MHz 

10 mW

*denotes UK frequency band.

Please be aware of country-specific laws when operating on different frequency bands.