PSM 900 In-Ear Personal Monitoring System

 

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The PSM 900 In-Ear Personal Monitoring System from Shure offers a clear and accurate audio quality and robust RF performance. Innovative features allowing for ease of use and quick setup make it the ideal solution for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button. Precision front-end RF filtering significantly reduces dropouts from RF interference.


The PSM 900 In-Ear Personal Monitoring System offers clear audio quality and robust RF performance for pro applications.

RRP: From £ 1317.60
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PSM 1000 High End In-Ear Monitoring System
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  • System Features
  • Transmitter
  • Receiver
  • Earphones
  • Frequency Versions
  • Specs
  • Downloads
  • Reviews


System Features:

CueMode* – Instantly listen to any stage mix

This feature allows for auditioning of up to 20 different mixes on a single bodypack at the touch of a button. Simply hear what the performer hears, without the need for any additional equipment.

Scan and Sync – Find channels easily and immediately

Scan the RF environment and assign an identified group and channel to a system over wireless IR link within seconds.

RF Mute Switch – The "Do Not Disturb" RF button

Ideal for festivals and multi-venue events, the front-panel RF mute switch on the P9T transmitter enables or disables RF transmission, allowing setup operation without disrupting the RF environment.

Microphone Options:

P9T
RRP: £ 670.80
The P9T is a professional wireless transmitter and part of the PSM 900 In-Ear Personal Monitoring System.

Microphone Options:

P9RA In-Ear Monitoring Receiver
RRP: £ 646.80
Low profile stereo bodypack receiver for use with the PSM 900 In-Ear Personal Monitoring System.
RRP: £ 388.33
Wired, stereo bodypack features high contrast LCD menu and rugged aluminum construction.

Microphone Options:

SE215k Black Sound Isolating Earphones
RRP: £ 96.00
The entry to Shure earphones. DynamicDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary MicroDriver gives a warm, detailed sound.
SE315 Sound Isolating Earphones
RRP: £ 159.00
High-Definition MicroDriver delivers full range audio with Tuned BassPort for optimized low end performance.
SE425 Sound Isolating Earphones
RRP: £ 239.00
Dual High Definition MicroDrivers, dedicated tweeter and woofer for accurate and balanced sound.
SE535 Sound Isolating Earphones
RRP: £ 389.00
Utilizes Triple High Definition MicroDrivers – a dedicated tweeter and dual woofers for spacious sound and rich bass.

Frequency Versions:

Frequency ranges and power output of the transmitter

Band  Frequency Range  Output Power
G6E 470 - 506 MHz 10/50 mW 
G7E 506 - 542 MHz 10/50 mW 
K1E 596 - 632 MHz 10/50 mW 
L6E 656 - 692 MHz 10/50 mW 
P7 702 - 742 MHz  10/50 mW 
Q15 750 - 790 MHz 10/50 mW
R21 790 - 806 MHz 10/50 mW
R22 790 - 830 MHz  10/50 mW 

Optional: all transmitters can be modified to 100 mW RF-Output power

Specs:

  • Environment: Medium to large stages
  • RF Output Power: Switchable: 10, 50, 100 mW (+20 dBm) (regionally dependent)
  • Operating Distance: Up to 90m
  • Frequency ResponseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary: 35 Hz - 15 kHz
  • Harmonic distortion: <0,8%
  • Signal-to-noise-ratio: 90 dB (A) typical
  • Compatible Systems per band (up to): 20
  • Transmitter Inputs: 2x XLR/6,3 mm combo, mic/line level
  • Transmitter Outputs: 2x 6,3 mm outputs
  • Wired Bodypack Option: No
  • Personal Mix Control: On transmitter
  • Remoteable Transmitter: Yes
  • Battery Life: 2 AA, 5-7 h

  • Further technical specifications:

    PSM 900 System

    • RF Carrier Range: 470 – 952 MHz (regionally dependent)
    • Tuning Bandwidth: 36 MHz – 40 MHz (regionally dependent)
    • Companding: Patented Shure Audio Reference Companding
    • Spurious Rejection (ref. 12 dB SINAD): >80 dB (typical)
    • FrequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary Stability: ±2.5 ppm
    • MPX Pilot Tone: 19 kHz (±0.3 kHz)
    • Modulation: FM, MPX Stereo (±34 kHz deviation, nominal)
    • Operating Temperature: -18°C – +57°C

    P9RA Bodypack Receiver

    • Front-End RF Filtering: –3 dB point 30.5 MHz from center frequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary
    • Active RF Gain Control: 31 dB (adjusts RF sensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary to provide more RF dynamicDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary range)
    • RF SensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary (20 dB SINAD): 2.2 μV
    • Squelch Threshold (±3 dB SINAD): 22 dB SINAD
    • Adjacent Channel Rejection: >70 dB
    • Intermodulation Attenuation: >50 dB
    • Blocking: >80 dB
    • Image Rejection: >90 dB
    • Audio Output Power (1kHz @ <1% distortion, peak power, @32Ω): 100 mW
    • Minimum Load ImpedanceThis describes how resistant an electrical circuit is to the flow of electricity passing through it.Read moreGo to the glossary: 9.5 Ω
    • High Boost Selectable: +3 dB, +6 dB @ 10 kHz
    • Dimensions: 99 mm x 66 mm x 23 mm

    P9T Transmitter

    • RF Output ImpedanceThis describes how resistant an electrical circuit is to the flow of electricity passing through it.Read moreGo to the glossary: 50 Ω (typical)
    • Net Weight: 850 g
    • Dimensions: 197 mm x 166 mm x 42 mm
    • Power Requirement (RF on, 100 mW power mode, no audio): 415 mA, typical

     

Reviews:

  • Audio Media Live Sound Supplement, September 2010: Shure PSM900 in-ear monitoring systems are used for TV’s Jools Holland Show. See full case study
  •  

  •  "the hardest thing with the PSM900 is knowing if they're actually switched on. They're so clean and so crisp that they almost feel as if they have a gate on them. There's complete isolation and just… nothing!"

Andrew Dobbins, Tour Manager of Passion Pit

 

  •  "We had the chance to try PSM 900 prototypes on the Daltrey tour. Roger and I both think they sound incredible, and they have been absolutely flawless for us. 

 Simon Higgs, Monitor Engineer for The Who

  •  "It sounds fantastic, and it’s clearly been designed to make life easy for monitor engineers"

 Monty Carlo, Monitor Mixer for Slash

  • "I am very impressed by the new PSM900 system. The sound quality is superb, and the whole package is very well built. The thing that really sets it apart from everything else on the market though is the new 'CUEMODE' system on it. Using a beltpack in 'CUE' mode I can dial in to any performers monitor mix and listen to exactly what they are hearing. If I stand next to them I can even experience the same RF patterns as they are. It is a real game changer. After our first gig with PSM900 IEM, the band came off stage with multiple members stating it was the best on stage sound they have ever had. I am completely sold, they are on our rider from this point on!"

Simon Ryder, Soul II Soul Monitor Engineer

  • "The on stage sound had cleared up so much by going to IEMs that I was able to 'finesse' my mix in a way that I have never been able to before. It was almost like mixing them in the studio"

Brandon Knights, Soul II Soul FOH Engineer

Video: PSM 1000 and PSM 900 Comparison

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PSM 1000 VS PSM 900 Comparison Video

Video: New PSM 900 In-Ear Personal Monitoring System at Pro Light + Sound 2010

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Video: New In-Ear Monitoring System PSM 900