SM94 Instrument Microphone
Where to buy
Best suited to:
Hihat, Overhead,
Acoustic Guitar,
Strings,
Piano
Also great for:
Choir,
Brass,
Further acoust. instr.
- Description
- Features
- Specs
- Downloads
- In the box
What is the SM94 best suited to?
The SM94 is equally at home in live performance such as on stage or in a recording studio. It is ideally suited for most instruments instruments including harmonica, symbals, brass and saxophone as well as guitar amps. When used with the optional wind-screen, the SM94 can be used by vocalists and speech-makers who desire a wide, flat response with minimum coloration.
How do I power my SM94?
As the SM94 is a condenser microphoneCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.
Read moreGo to the glossary, it requires phantom powerThis must be provided to all condenser microphones in order for them to operate.Read moreGo to the glossary for it to work. On the SM94, this can achieved in two ways by either using the phantom powerThis must be provided to all condenser microphones in order for them to operate.Read moreGo to the glossary source from your mixer, or by using the internal AA battery (supplied)
- A sensitive mic with a wide, flat response ideal for live amplified and acoustic instruments.
- Extremely well-suited for reproduction of stringed instruments, woodwinds and cymbals
- AA battery or phantom powerThis must be provided to all condenser microphones in order for them to operate.Read moreGo to the glossary
- Internal shock mount
- Wide dynamic rangeThis is the difference between the queitest and loudest sound that a mic can pick up.Read moreGo to the glossary
- Smooth, flat frequency responseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary
- Uniform CardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary condenserCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary
- Frequency responseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary: 40 to 16,000 Hz
- Transducer TypeA transducer converts sound into an electrical signal. The two most common types are dynamic and condenser.
Read moreGo to the glossary : CondenserCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary
- Polar Pattern"Polar pattern" describes how well the microphone “hears“ sound from different directions.Read moreGo to the glossary: CardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary
-
Frequency ResponseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary:
40 Hz
- 16 kHz
-
SensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary (1 kHz):
-49,0 dBV/Pa / 3,5 mV/Pa
- Equivalent Selfnoise:
22 dB(A)
- Sound Pressure:
- 133 dB (Phantom)
- 129 dB (Battery)
- Weight: 250 g
- FrequencyThis is how many times a sound or radio wave oscillates in one second.Read moreGo to the glossary Repsonse Curve:
User Guides
- Swivel Adapter (Part No: A25D)
- Carrying/Storage Bag (Part No: 26A13)
