Tech specs of microphones comparable to the SM94
No sound demo
Best suited to:
Hihat, Overhead,
Acoustic Guitar,
Strings,
Piano
Also great for:
Choir & Orchestra,
Brass,
Additional acoust. instr.
No wireless option
Freq. response:
40 Hz -16 kHz
Sensitivity
-49,0 dBV/Pa (3,5 mV/Pa)
Best suited to:
Hihat, Overhead,
Acoustic Guitar,
Strings,
Brass
Also great for:
Choir & Orchestra,
Additional acoust. instr.,
Percussion
Read moreGo to the glossary CondenserCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary Instrument Microphone with flat-response, designed to be used for sensitive acoustic instrument applications.
No wireless option
Freq. response:
40 Hz -18 kHz
Sensitivity
-48 dBV/Pa (4,0 mV/Pa)
Best suited to:
Hihat, Overhead,
Strings,
Choir & Orchestra,
Piano,
Brass
Also great for:
Electric Guitar,
Additional acoust. instr.,
Percussion
Read moreGo to the glossary probe mic with an ultra-thin diaphragm for natural sound reproduction in acoustic and high volume applications.
No wireless option
Freq. response:
20 Hz -20 kHz
Sensitivity
-45,0 dBV/Pa (8,9 mV/Pa)
Best suited to:
Hihat, Overhead,
Piano,
Choir & Orchestra,
Strings,
Acoustic Guitar
Also great for:
Electric Guitar,
Brass,
Additional acoust. instr.,
Percussion
Read moreGo to the glossary mic with a cardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossary pattern for acoustic instruments, detailed and extremely precise sound in the studio and live performance
No wireless option
Freq. response:
20 Hz -20 kHz
Sensitivity
-37 dBV/Pa