[Pictures: 8. PSM400 – Components]
As with microphones there are two ways to get in-ear: wired and wireless. Both of these systems are made up of complementary components that enable you to hear the monitor mix in your ear. These include:
[Pictures: 8. PSM400 – Components]
As with microphones there are two ways to get in-ear: wired and wireless. Both of these systems are made up of complementary components that enable you to hear the monitor mix in your ear. These include:
If you’re in one place the majority of the time, like a drummer, keyboardist or backup singer, wired systems are an easy choice. They are the lower-cost alternative and also save RF frequencies.
A wired in-ear-monitoring system includes a lightweight and small bodypack and a pair of earphones. The bodypack is connected to the mixer directly with a cable. The performer hears the monitor mix through the earphones.
Wireless in-ear-monitoring systems offer the performer full freedom of movement on stage. As with wired systems the musicians wear a bodypack receiver clipped to a belt, guitar strap or pocket. The monitor mix is not received by a cable but through radio frequencies and therefore a transmitter is needed to send the signal. This unit is connected to the mixer with a cable.
A few bodypacks (like the Shure P2R) are hybrid units. This means the receivers are capable of working either with wired or wireless systems. So you can start out wired and purchase a wireless transmitter later to upgrade to wireless when your budget permits.
Or use in either configuration, depending on your setting. There are also variations beyond that to combine wired and wireless usage. A drummer for instance can receive the in-ear-monitoring mix wireless and add a click track wired directly in the bodypack.